(🌠) 故(🔨)事分(fèn )成三個章節(jiē ):主要的章節由高達(dá )親自飾演導演,正(zhèng )要趕(gǎn )乘飛(fēi )機,在24小(xiǎo )時內把一(🥩)部電影的菲林(lín )(👋)交給監製;同時一隊二人流(liú )行電子(🔸)音樂組合,不斷(duàn )(🕖)排練(liàn )歌曲,最後(🥄)在路上表演;另一邊(🎿)廂,愚笨的大(dà )肥(🙁)佬(😻)捲入(rù )一(yī )宗事件,被神秘(mì )女人密切監視(📎),最後(🔩)更被(bèi )拘捕。三(sān )段(😞)故事看似毫無關連,實際(🥔)是高達以(yǐ )電影(✋)來(🐑)討論電影製(zhì )作(zuò )(🙄)和(㊙)藝(👓)術創作的(de )重要。片名(míng )看(🥫)似帶有(🧤)弦外(🚻)之(zhī )音,就像(💠)高達暗示(shì ),假如(rú )(🕐)監製或(huò )(🚴)其他人要干擾(rǎo )導演(🤘)的藝術創作,就索性我行我(🚗)素,忠於自己的(de )道(dào )路(⛏)好了。這大概(gài )亦示範了(💹)高達(dá )如何純熟地運(💿)用電影媒體來做(😙)評論(lùn )(⏲)。
(🔷) A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours an electronic duo keeps rehearsing for their roadshow a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.
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