雕像也会死亡剧情简介
《雕(🆓)像(⛲)也会死(sǐ )(🥇)亡》（Les statues meurent aussi，阿兰(lán )·(🐮)雷(🥩)乃、克里斯·马尔凯，1953年出品，27分钟）尖锐地批评(píng )了西方殖民(mín )(✳)主义(yì )(🥄)对(🛹)非(fēi )洲传统艺术(shù )(🛺)的戕(qiāng )(🎿)害(🎫)以(yǐ )(🥞)及(jí )(🗑)自称热爱非洲艺(yì )术(🚑)的上等(děng )(🕕)阶层的贪婪与伪善。本片的主角是来(lái )自黑(hēi )非洲(zhōu )的(de )人物雕像、(🌑)面(miàn )(🎛)具和其他(🥔)非洲艺术品，但是它们的演出场所并(bìng )非(🙉)黑人的故乡，而是白人(👃)的欧洲，艺(yì )术品市场(chǎng )和(⛳)艺(🏯)术品拍卖会(huì )是(shì )它们频(🤖)频(pín )(⚾)出没和滞(zhì )(🗳)留的中(zhōng )转(zhuǎn )地(dì )(💹)。这(🏉)些本来被非洲部族用(😊)来抵抗死亡的面具和(hé )雕像，如今却呆在博物(💯)馆的橱窗里静静地死(🤔)去。此时，画外音告诉我(wǒ )们：“当人死(🐞)去(qù )的(🏃)时(🔞)候，他便进入了历史；当(dāng )这些雕像(xiàng )死去的时候，它(tā )(🍁)们进(👛)入了艺术；这种关(🔪)于(yú )死(sǐ )亡(wáng )的学(👩)问(wèn )(🧘)，我(wǒ )们最后称之为(wéi )文(😉)化。”由(yóu )于本片(piàn )具有鲜明而强烈的社会批判意识，自拍竣之日起即遭(zāo )到(✒)法(💨)国(🈸)政府(fǔ )(🛃)禁映，直到(🚓)1963年才解(jiě )禁。本片由长于剪辑的阿兰·雷乃操(cāo )刀剪(♟)辑，由强(🍏)于写作的(de )克里(lǐ )斯·(🖥)马尔(ěr )凯撰写解说，充(🖥)分发挥了两(🏒)人(rén )(🎇)各自(🌶)的(de )强(🔂)项，可谓强强(qiáng )合作的结晶。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
《雕像也会死亡》相关作品
其他周榜单