雕像也会死亡剧情简介
《雕像也会(🐽)死亡(wáng )(📼)》（Les statues meurent aussi，阿(ā )兰·雷乃(nǎi )、克里斯·(👋)马尔(🎲)凯，1953年出品，27分(fèn )(🔸)钟(zhōng )）尖锐地(dì )批(pī )评(píng )了西方殖民主义对非(fēi )洲传(chuán )统(🐖)艺术的戕(🎿)害以及自称热爱非洲艺(yì )术的(de )上等(děng )阶层(céng )的(de )贪婪(lán )(🔊)与伪(wěi )善(🚢)。本片(piàn )(🧚)的主角(🥁)是来(📯)自黑非(⏯)洲的人物(wù )雕像、面具(jù )和其(🥎)他非(💻)洲艺术(shù )品(🔝)，但(🐑)是它(🙌)们的演出场所并非黑人(rén )的故(gù )乡(xiāng )(🈴)，而是(shì )白人(rén )的(de )欧洲，艺术品市场和艺术品拍卖会(huì )是它们(🧣)频频(⚾)出(chū )没和滞留的中转地(💹)。这些本来被(🛎)非(fēi )(💍)洲(🚗)部(🐾)族用(yòng )来(lái )抵抗死亡(🌹)的面具(👪)和雕像，如今却呆在博(bó )物馆(guǎn )的(de )橱窗(🙎)里静(🎥)静地(dì )死去(qù )。此时，画外音告诉我(🥤)们：(👵)“当人(🥅)死去的时候，他便进入(rù )(🔙)了历(👄)史；当这些(xiē )雕像(🚡)死去的(de )时候，它们进入了艺(yì )(👗)术；这种关于(🐂)死(👚)亡的学问，我们最(zuì )后称之(zhī )为文化(🚤)。”由于本片(piàn )具有(⏺)鲜明而强烈的社(shè )会批判意识，自拍竣之日起(qǐ )即遭到法(💨)国政府禁映，直到1963年才解禁。本片(🌒)由(🎁)长于(yú )剪辑的阿兰·雷乃操(🔮)刀剪(♟)辑(jí )，由强于写作的克里斯·马尔凯(kǎi )撰(zhuàn )写解说，充(🖥)分发(🌲)挥了两(liǎng )人(🎇)各自的(🦄)强项(xiàng )，可谓强强(qiáng )合作的(🌮)结(jié )晶。
(🔡) This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
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