迷幻(🆓)少女遇著過氣(📒)公安老頭,未(🃏)必(bì )(🕋)是(shì )貓捉老鼠累鬥(dòu )(🤢)累,也可以是從老(🥈)前輩身(🌰)上學會認識(shí )自己。阿(ā )(🎾) P 為(⏬)追阿初欠她的債,偶然與(yǔ )阿初的外公相遇(yù ),兩個(🕖)生活態度(dù )南轅(🔲)北(běi )轍的人,就是(shì )這樣在荒(🎫)謬的處(😚)境中相(🙁)互學習。阿P在當中看見(jiàn )年青一(⏺)代的無奈:十六歲(suì )的(de )迷途青春、愛情的(💱)無助、(🎛)軟性毒(🥎)品的(de )蠶食、面(miàn )對父(fù )母失敗(bài )的婚姻、自己(🙀)渾噩(💪)的前途(⏰)....阿初無故失(🚻)蹤(zōng ),又是否因抵受不(🤳)了同(tóng )樣(🕐)殘酷的(🚴)青春?世情像(xiàng )玻璃,有時(💝)看(kàn )(💹)得透(🏉),有時不(bú ),相(xiàng )同的只是:兩者同樣冰冷易(🥋)碎。
The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.
Source: 25th HKIFF (2001)
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