(🌠) (👷)迷(mí )幻少女遇(yù )(🐽)著過(📼)氣公(gōng )安老頭(🔼),未(🃏)必(🕋)是(shì )貓捉老鼠累鬥(dòu )累,也(yě )可以是從老前(qián )輩身(shēn )上(🍖)學會認(rèn )(🗼)識自己。阿 P 為追阿(🎏)初欠她的債(📼),偶然與阿(ā )初(chū )的外公相遇,兩(🎡)個生活(👁)態度(dù )南轅北轍(zhé )(🛹)的人(rén ),就是這樣在荒謬的處(😚)境中(zhōng )相互學習(xí )。阿P在當中看見年(🔊)青(💞)一代的無奈:(🚣)十(shí )六歲的(📯)迷途青春、愛情(❔)的無(wú )助(🌑)、軟性(xìng )毒品的蠶食、面對(✋)父母失敗的(de )婚姻(🙄)、自己(jǐ )(🙀)渾噩(💪)的前途....阿(🤷)初(chū )無故失蹤(🤲),又是否(fǒu )因抵受不(🤳)了同樣(yàng )殘酷的青春?世情像(xiàng )玻璃,有時看得透,有(yǒu )時不,相同的只是:兩(🏻)者同樣(yàng )冰冷易碎(suì )。
The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.
Source: 25th HKIFF (2001)
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