我们的失败剧情简介
2018年5月和(hé )6月，Jean Gabriel P_Riot与位于(yú )Ivry Sur Seine的一(❣)所高(gāo )中的(📼)10名(míng )(🖲)电影班学生合作，开展了一(yī )项(👁)将电影与政(🥄)治(🛹)结合起(🚥)来(🐖)的项目。学生(🥞)们在摄像(xiàng )机(jī )前(qián )和(hé )(🚸)摄(🖍)像机(jī )后工作，重新布(🔊)置罢工(gōng )、抵抗和劳资纠(jiū )纷(📯)的场景，这些电影可以(🌑)追(zhuī )溯到20世(shì )纪60年(nián )(🔝)代(dài )(✋)末(🐑)到(🏂)70年代(dài )末，包括让-卢克-戈达(dá )尔和阿兰-坦纳的电影。nos d_faites汇集了调(diào )(🌮)查结(jié )果，并增加(jiā )(💹)了(💔)采访(fǎng )，在(👊)采访(fǎng )中，导演询问学生他们刚刚表演的场景(💅)，关(guān )于“阶级(jí )”、“工(🙎)会”和“政(🤔)治参与”等概念，以及更广(🔷)泛(👵)的社会背(🐞)景。这(zhè )是一个简单(🌂)，但尖(jiān )锐(ruì )的设置，让(ràng )观(🚡)众一瞥年(🏓)轻一代如(rú )何看待政治(zhì )和(📤)过去的政治电影。这部影(🤼)片还记录了导演试图激怒学(xué )生的企(🈺)图。在(🔮)导演(🈳)和学生(shēng )似(🔍)乎(hū )处于平等地位的遭遇中，基(jī )于从(cóng )未见过的(🛌)导演更多(🚓)类似于老师的提(tí )问，以(🐣)及此时此(⛎)刻(🏖)对革命的思考：起义的(de )表现反映了同(♈)样的(🍗)情(qíng )况。这会(huì )导致一个真实的(🥈)发生吗？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’(😼)ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’(🍰)s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到1968年(nián )的(de )电(diàn )影时代，继续对重放从过(🚞)去跳出来的电影节选的年(➡)轻(qīng )(🏴)人进(🍞)行(háng )今天的采访(✏)，我们的失败(📐)描绘了我(wǒ )们(😌)当前(qián )与政治的关系(xì )。我们(men )的失败，还(hái )(✨)是我们(🌉)有足够的力量(liàng )来(lái )(🍛)面对今天的混乱(luàn )？(🏺)
By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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