我们的失败剧情简介
2018年5月(📼)和6月，Jean Gabriel P_Riot与位(wèi )(🛤)于(🌰)Ivry Sur Seine的一(❣)所(suǒ )高中的10名电影班(🕔)学生合作，开(kāi )(🛍)展了(le )一项将电影与政治(zhì )结合(hé )起(qǐ )(🚥)来的(🕌)项(xiàng )目。学生们在摄像机前(qián )(😻)和摄(🖍)像机后(hòu )工作，重新布置罢(bà )工、抵(📎)抗和劳资纠(jiū )纷的(de )场景，这些电影可(🦗)以(🌑)追溯到(㊗)20世(shì )纪60年代末到70年代末，包(👓)括让-卢(lú )克(kè )-戈达(dá )尔和阿兰(lán )-坦(tǎn )纳的(de )电影(yǐng )。nos d_faites汇(huì )集(⚾)了调查结(jié )果(🤘)，并(❕)增(💝)加了采访，在采访(💍)中，导演询问(wèn )学(🏻)生(🐛)他们刚(gāng )(🐨)刚表(🥋)演(yǎn )(🤷)的(🃏)场景(💅)，关于(yú )“阶级(jí )”、“工会”和“政治(zhì )参与”等概念，以及更广泛(fàn )的社会(huì )(🥅)背景。这是一个简单，但尖锐的设置(zhì )，让(ràng )观众一瞥年(🏓)轻(qīng )一代如何看待政治(🎦)和过(🚻)去的(🔪)政治(👚)电影。这(zhè )部影片还记录了导(🎴)演试图(🚩)激怒(nù )学生的企图。在导演和学生(shēng )似乎处于(yú )平(🚪)等地(🐱)位的(de )(💛)遭(👼)遇中(zhōng )，基于(✒)从(cóng )未见过的导演(yǎn )(🕵)更多类似于(yú )(♊)老师的提问(🗒)，以及(jí )此时此刻对革命的思考：起(🔮)义的(de )(♟)表现反映了同样的情况。这会导致一个真(🕤)实的发(fā )生(shēng )吗？
In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到1968年的电影时代(🏴)，继(❌)续对重(🦃)放从过去跳出来的电影节选的年轻(qīng )人(📏)进行今天的采访(fǎng )，我们的失败描绘(📯)了(le )我们当前与政治的关系(🧑)。我们的失(🎆)败，还(hái )(✨)是我们有(🚜)足够的力(📆)量来面(⏳)对今天(tiān )的混乱？
(🕙)By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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